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Exorcism at 60 000 Feet: 2019 Film Performance, Cast, and Industry Data

Exorcism at 60 000 Feet is a 2019 American horror film written and directed by Chad Ferrin. The movie was produced by Chad Ferrin and Paul Della Pelle under the banner of Cinema...

Mara Ellison
Exorcism at 60 000 Feet: 2019 Film Performance, Cast, and Industry Data

Exorcism at 60 000 Feet: Core Facts and Production Details

Exorcism at 60 000 Feet is a 2019 American horror film written and directed by Chad Ferrin. The movie was produced by Chad Ferrin and Paul Della Pelle under the banner of Cinema Epoch, with distribution handled by Troma Entertainment and later by digital platforms including Tubi and Amazon Prime Video. The film follows a demonic possession outbreak that occurs aboard a commercial airplane at high altitude, blending supernatural horror with claustrophobic air travel settings. Production wrapped in 2018, and the film premiered at select genre festivals before its direct-to-video and streaming release in 2019, with the official theatrical and digital launch occurring on September 10, 2019, according to Troma Entertainment's distribution records Troma Entertainment.

The principal cast includes Robert Z'Dar, Lin Shaye, and Bill Moseley, with supporting roles filled by actors such as Felissa Rose and Ezra Buzzington. The runtime is approximately 84 minutes, and the film is rated R for strong horror violence, language, and brief nudity. The production budget was modest, typical of independent horror releases, and the film was shot using standard digital cinema cameras suitable for low-budget productions. The film's marketing relied heavily on genre festival screenings, social media promotion by Troma, and digital storefronts, with no major theatrical wide release. The official trailer and promotional materials were distributed through Troma's YouTube channel and affiliated horror outlets.

Box Office, Streaming Performance, and Audience Data

Exorcism at 60 000 Feet did not receive a traditional wide theatrical release, so it has no reported domestic or international box office grosses from major tracking services such as Box Office Mojo or The Numbers. Instead, its revenue model centers on digital rentals, purchases, and ad-supported streaming views on platforms like Tubi, Amazon Prime Video, and Vudu. As of the latest available data, the film maintains a presence on Tubi, where it is available for free with ads, and on Amazon Prime Video, where it can be rented or purchased Amazon. Viewer engagement is primarily measured through platform-specific watch hours and user ratings rather than traditional ticket sales.

Audience reception data is limited to user-generated ratings on platforms such as IMDb and Rotten Tomatoes. On IMDb, the film holds a rating based on a few hundred user votes, reflecting its niche horror audience. Critical reviews from mainstream outlets are sparse, with coverage primarily from genre-specific horror review sites and fan blogs. The film's visibility is bolstered by the involvement of genre veterans such as Robert Z'Dar and Lin Shaye, who have dedicated followings within the horror community. Streaming performance metrics are not publicly disclosed by Tubi or Amazon, but the film remains accessible and periodically surfaces in platform-specific horror collections and recommendations.

Production Company, Distribution, and Industry Context

Cinema Epoch served as the primary production company for Exorcism at 60 000 Feet, handling financing, physical production, and post-production. Troma Entertainment, founded by Lloyd Kaufman and Michael Herz, managed distribution and marketing, leveraging its established network of genre film distributors and streaming partners. The film fits within Troma's catalog of low-budget independent horror titles, which includes cult classics and newer direct-to-digital releases. The production adhered to standard industry practices for micro-budget horror, with post-production completed at facilities familiar with independent genre filmmaking.

The film's release strategy reflects the broader shift in independent horror toward direct-to-streaming and video-on-demand models

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