Finola Hughes Filmography and Major Roles
Finola Hughes is a British actress known for roles in film and television, with public credits including the 1983 musical film Staying Alive, a sequel to Saturday Night Fever produced by Paramount Pictures and Robert Stigwood Organization. She later appeared in the 1990s primetime soap opera All My Children on ABC, earning a Daytime Emmy nomination for Outstanding Supporting Actress in a Drama Series in 1997, according to the Television Academy records. Her film work spans studio and independent productions, with roles often tied to music-driven narratives and soap opera crossover projects. Public databases such as IMDb list her credits across multiple decades, showing a consistent presence in entertainment projects tied to music and drama. For a full list of her film and TV credits, see the Finola Hughes IMDb page.
Her most prominent film role remains the lead in Staying Alive, which was distributed by Paramount Pictures and became a box office success in 1983, ranking among the top-grossing films of that year in the United States. The film was produced under the banner of Robert Stigwood Organization, which also backed the original Saturday Night Fever. Hughes later appeared in projects such as the TV movie The Babysitter (1980) and the series Generations (1991), both tracked by public entertainment databases. Her career trajectory shows a shift from film musicals to television drama, with continued work in stage and screen projects linked to music and dance themes.
Financial Overview of Finola Hughes Movies and Earnings
Public data on exact earnings from Finola Hughes movies is limited, but industry reports and talent agency fee surveys suggest that actors in supporting roles in 1980s studio musicals earned fees in the low to mid six figures per project, adjusted for inflation. For comparison, lead actors in major studio musicals of that era could earn seven-figure salaries, while supporting cast members typically received scaled rates set by guild minimums and negotiation. The Screen Actors Guild (SAG-AFTRA) publishes annual rate cards and minimum compensation guidelines that apply to film and television productions, which help contextualize earnings for roles in productions like Staying Alive. For current SAG-AFTRA rate information, see the SAG-AFTRA rates page.
Television roles, including her work on All My Children, are governed by union contracts that set daily and weekly minimums for daytime drama performers. Public filings and union reports indicate that daytime actors in long-running series can earn annual salaries ranging from roughly $50,000 to several hundred thousand dollars, depending on tenure and role prominence. Finola Hughes's net worth is not publicly disclosed, but estimates from public celebrity finance trackers typically place her in the low millions, reflecting decades of work across film, television, and stage. For broader context on entertainment industry pay, see the Forbes Entertainment section.
Production Companies and Distribution Channels
Finola Hughes movies and TV projects have been backed by major studios and production companies, including Paramount Pictures, Robert Stigwood Organization, and American Broadcasting Company (ABC). These entities handle financing, distribution, and broadcast, with Paramount Pictures operating as a subsidiary of Paramount Global and ABC functioning under Disney Media Networks. Public corporate filings show that these parent companies report annual revenues in the billions, with film and television segments contributing significant shares to overall income. For Paramount Global's latest financial overview, see the