Dan Tyminski's Earnings from Hey Brother
Dan Tyminski is credited as a songwriter on Hey Brother, a track released by Avicii in 2013 as part of the True album. The song became a global hit, reaching number one in multiple countries and generating substantial performance royalties for all credited writers. Tyminski's involvement as a vocalist and co-writer means he receives a share of the composition royalties tied to the track. These royalties are collected by performance rights organizations and distributed based on the split agreed upon by the writers and their publishers. The exact percentage allocated to Tyminski is not publicly disclosed, but co-writers on major Avicii tracks typically receive a meaningful share of the total songwriting revenue. Forbes analysis of Hey Brother's commercial success
Hey Brother generated millions of streams across platforms like Spotify, Apple Music, and YouTube, forming the core of Tyminski's ongoing royalty income. Streaming services pay per play, and a song with this level of longevity accumulates significant cumulative payouts over time. The track remains a staple in curated playlists and is frequently featured in compilations, which adds to the total stream count. Tyminski's share of these royalties is processed through his publisher and collected by the relevant rights societies in each territory. The revenue from streaming is distinct from sync licensing income, though both contribute to his overall earnings from the song. Billboard reporting on Hey Brother streaming numbers
Songwriting Credits and Royalty Splits
Songwriting credits on Hey Brother list Dan Tyminski alongside Avicii, Salem Al Fakir, and Vincent Pontare. Each credited writer holds a portion of the copyright to the composition, which is separate from the master recording owned by the label. Royalty splits for co-written hits are often negotiated upfront and documented in split sheets or publishing agreements. These agreements determine the percentage of mechanical and performance royalties each writer receives. Tyminski's specific share depends on the terms of his deal with his publisher and the contributions he made to the lyrics and melody. ASCAP royalty distribution information
Performance royalties from Hey Brother are collected globally by organizations such as ASCAP, BMI, and their international affiliates. When the song is played on radio, in venues, or via streaming services, these societies track the usage and distribute the royalties to the registered writers and publishers. Tyminski's publisher submits the necessary registrations to ensure his share is accurately tracked and paid. The efficiency of this collection process directly impacts the total amount he receives over time. Discrepancies or delays in registration can result in missed payouts, which is why accurate metadata is critical for high-streaming tracks. BMI royalty collection details
Total Estimated Earnings and Revenue Breakdown
Estimating the total amount Dan Tyminski made from Hey Brother requires combining songwriting royalties, streaming revenue, and any sync licensing fees. Exact figures are not publicly available because royalty agreements are private and earnings vary by territory and platform. However, industry estimates for co-writers of a billion-stream hit suggest earnings in the high six or seven figures over the song's lifespan. The revenue is not a one-time payment but accumulates continuously as long as the track is consumed and used. Tyminski's ongoing income from Hey Brother demonstrates the long-tail financial benefit of songwriting credits on a major hit. SEC filings referencing music royalty income
Beyond streaming, Hey Brother has been used in television shows, commercials, and other media, generating additional sync licensing revenue. These