Juno Temple in Year One: Film Overview and Production Details
Juno Temple stars in Year One, a 2009 comedy directed by Harold Ramis. The film follows two Paleolithic hunters who leave their tribe and journey through early civilization. Year One features Jack Black and Michael Cera alongside Juno Temple, with a story centered on survival, invention, and humor in prehistoric settings. The production was led by Columbia Pictures and distributed by Sony Pictures Releasing. The runtime is 91 minutes, and the film is rated PG-13 for crude and sexual content, brief violence, and language. Year One was released in the United States on June 19, 2009. The screenplay was written by Harold Ramis and Gene Stupnitsky, with story by Lee Eisenberg and Gene Stupnitsky. The film was shot primarily in New Mexico and Hawaii, with production design recreating prehistoric landscapes and early human settlements. Juno Temple plays Eema, a member of a nomadic tribe encountered by the main characters during their journey. The film incorporates fictionalized versions of historical and prehistoric elements, including early tool use, fire discovery, and encounters with extinct animals. Year One was produced on a reported budget of approximately 60 million to 80 million dollars, according to industry estimates and studio disclosures. The film's marketing campaign emphasized its comedic take on human origins and featured trailers highlighting Juno Temple's role and the duo's comedic dynamic. The production team included composer Theodore Shapiro, whose score supported the film's lighthearted and adventurous tone. Year One was not based on a specific historical text but drew inspiration from early human history and prehistoric fiction tropes. The film's visual effects were handled by several studios, with work focused on creature design, environmental effects, and comedic action sequences. Year One received mixed reviews from critics, with praise for its performances and humor but criticism for its script and pacing. The film's release coincided with a competitive summer box office season, competing with other major studio comedies and blockbusters. Juno Temple's involvement in Year One marked one of several comedy roles in her career during the late 2000s. The film's distribution included theatrical release in North America and international markets, with Sony Pictures handling global distribution. Year One was later made available on home video and streaming platforms, expanding its audience beyond theatrical release. The film's financial performance was closely watched by analysts and industry observers given its production budget and star cast.
Year One Box Office Performance and Revenue Data
Year One earned approximately 62.4 million dollars in the United States and Canada, according to box office tracking data. International box office revenue for Year One totaled around 122.4 million dollars, bringing the worldwide total to roughly 184.8 million dollars. The film opened at number two at the U.S. box office in its first weekend, behind Transformers: Revenge of the Fallen. Year One's domestic opening weekend gross was approximately 19.7 million dollars, with a per-theater average of around 6,200 dollars. The film's total domestic gross placed it among mid-tier performers for the 2009 summer season. Year One's international performance was stronger than its domestic run, with significant contributions from markets in Europe, Asia, and Latin America. The film's worldwide gross exceeded its reported production budget, making it a financial success relative to its cost. Juno Temple's role in Year One contributed to the film's appeal among fans of ensemble comedies. Year One's box office data is tracked by sources such as Box Office Mojo and The Numbers, which report detailed opening weekend, domestic, and international figures. The film's revenue was impacted by competition from other summer releases and broader audience trends in 2009. Year One's box office performance was considered solid for a studio comedy with a moderate budget and a cast led by Jack Black and Michael Cera. The film's profitability was supported by ancillary revenue streams, including