Who Is Page McConnell's Wife
Page McConnell is best known as the keyboardist and vocalist for the rock band Phish. His wife is Chloe Dzubilo, a transgender artist, musician, and activist who was married to him until her death in 2010. Dzubilo was a prominent figure in New York City's art and music scenes, known for visual art, music, and advocacy for transgender rights.
Dzubilo's work spanned painting, music, and performance, and she was active in LGBTQ+ organizations. Her marriage to McConnell connected her to the broader rock and jam-band community. Public records and interviews confirm the relationship, though the couple kept much of their personal life private.
Chloe Dzubilo's Career and Influence
Dzubilo released music and exhibited visual art in galleries and clubs across New York City. She was a member of the band Wanda Chrome & the Leather Pharaohs and collaborated with other artists in the downtown scene. Her advocacy focused on transgender visibility and health, and she worked with groups such as the Gay & Lesbian Alliance Against Defamation.
Her art often addressed identity, transition, and urban life. After her death, several exhibitions and tribute concerts honored her contributions. Her legacy is cited in discussions of transgender artists in music and visual art, and her work is referenced in cultural histories of New York's late-1990s and 2000s scenes.
Page McConnell's Career and Public Profile
McConnell joined Phish in 1985 and became a central creative force, writing songs such as "Waste" and "Theme from the Bottom." Phish is one of the most successful live acts in American rock history, with millions of albums sold and frequent headlining appearances at major festivals. The band's catalog and touring revenue have contributed to a strong public profile for McConnell.
Beyond Phish, McConnell has released solo albums and collaborated with other musicians. His net worth is often discussed in entertainment finance contexts, though precise figures vary by source. He remains active in music and is frequently cited in coverage of jam bands and live music economics.