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Paul Harvey's For What It's Worth: Song History, Samples, and Royalty Facts

Paul Harvey's For What It's Worth originated as a commentary segment on Paul Harvey News and Comment, a radio program that aired on the ABC Radio Networks from the 1950s through...

Mara Ellison
Paul Harvey's For What It's Worth: Song History, Samples, and Royalty Facts

Song Origin and Early Broadcast History

Paul Harvey's For What It's Worth originated as a commentary segment on Paul Harvey News and Comment, a radio program that aired on the ABC Radio Networks from the 1950s through the 2000s. The piece, often referred to by its opening line "Let me tell you now about the so-called generation gap," was written and delivered by Paul Harvey, whose full name was Paul Harvey Aurandt. The commentary became one of his most recognizable segments and was later set to music by Steve Wood and Daniel May, who created the instrumental version that entered popular culture as a distinct track.

The original recording of the instrumental piece was released by the composer Steve Wood, and the track gained renewed attention when it was used in various media contexts over the following decades. The composition is registered with performance rights organizations, and its usage in commercials, documentaries, and broadcasts has generated ongoing royalty streams. The track is distinct from the Buffalo Springfield song "For What It's Worth," which was written by Stephen Stills and recorded by the band in 1966.

Sampling, Licensing, and Modern Usage

In the 2000s and 2010s, the instrumental version of Paul Harvey's For What It's Worth was sampled and referenced in multiple media projects, including advertisements, YouTube content, and documentary films. Licensing for the track is typically handled through the publisher or rights holder associated with the Wood/May composition, and fees vary based on usage scope, territory, and medium. The track has appeared in content related to cultural commentary, nostalgia pieces, and historical retrospectives.

Music licensing databases such as ASCAP and BMI track public performance royalties for the composition, and sync licensing for visual media is managed separately from mechanical royalties. The piece remains a recognizable audio cue in American broadcasting history, and its usage has been documented in industry publications and music licensing guides. For current sync licensing availability, production music libraries that represent the composition can provide specific terms and rates.

Paul Harvey's Career and Legacy in Broadcasting

Paul Harvey Aurandt hosted his daily radio program for more than 50 years, reaching an estimated 24 million listeners per week at its peak, according to industry reports cited by the Radio Hall of Fame, where he was inducted in 2001. His commentary style, known as "The Rest of the Story," became a staple of American radio, and his work influenced generations of broadcast journalists and commentators. The Paul Harvey News and Comment program was syndicated through ABC Radio Networks and later through Salem Radio Network after the network transitions.

The broadcasting legacy of Paul Harvey is documented in archives maintained by the Paley Center for Media and the Library of Congress, which holds recordings of his programs. His career intersected with major moments in American history, and his commentaries were frequently cited in academic studies of radio journalism and media history. The Paley Center for Media provides access to selected broadcasts and transcripts for research purposes.

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